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Magazine |
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2007 |
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Beate Sontgen returns to examine the interior in art, writers discuss Salvador Dali's collaborations and Gilda Williams considers Andy Warhol. |
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Magazine |
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2007 |
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Tate Modern presents the first major survey of the work of Louise Bourgeois since 1995. Elaine Showalter explores her life and work from early childhood. |
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Magazine |
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2008 |
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Lyle Rexer explores Peter Doig's alternative world, Bernard Marcade gets closer to the unholy trinity of Man Ray, Duchamp and Picabia and writers reflect on the life and work of Niki de Saint Phalle. |
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Magazine |
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2008 |
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To coincide with Tate Liverpool's exhibition 'Gustav Klimt: Painting, Design and Modern Life in Vienna 1900,' we bring together a cultural historian and a Klimt specialist to debate how the man who remains one of the world's most popular modern artists took voyeurism to new heights. |
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Magazine |
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2008 |
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Published three times a year, TATE ETC. includes in-depth articles by internationally acclaimed writers and artists and, like Tate, works as a place for thinking about and experiencing art. It has a strong conversational element in the form of interviews and discussions, and gives a voice to artists. Within these features, we blend the historic, the modern and the contemporary to show that art does not exist in a vacuum, but is rooted in many traditions. |
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Magazine |
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2009 |
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Published three times a year, TATE ETC. includes in-depth articles by internationally acclaimed writers and artists and, like Tate, works as a place for thinking about and experiencing art. It has a strong conversational element in the form of interviews and discussions, and gives a voice to artists. Within these features, we blend the historic, the modern and the contemporary to show that art does not exist in a vacuum, but is rooted in many traditions. |
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2004 |
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In the second issue of Tate Etc Rem Koolhaas talks to Lynne Cooke, Gilda Williams explores altered states of seeing and Arthur Smith hangs around at Michael Landy's Semi-detached. |
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Magazine |
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2005 |
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Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known for taking sculpture off the plinth, likes the idea that the art form “has another sort of life... that’s a bit closer to architecture”. On the eve of his retrospective at Tate Britain – its largest sculpture show to date – he shares some common ground with “gherkin” architect Norman Foster |
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Magazine |
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2005 |
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Christopher Turner investigates the powers of colours, Germaine Greer presents the Patron Saint of Lipstick and we are in the studio with Jeff Wall. |
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Magazine |
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2005 |
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What is there in absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart.’ The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.
The body matters, more than at any other time in history. Where should a history of the body in art begin, asks Nicholas Blincoe.
Sarah Lucas explores sexual attitudes using hosiery, fried eggs, chicken and pork. A C Grayling looks at the meaning behind the touring |
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Magazine |
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2006 |
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My house, Bauhaus. Peter Fischli grew up in a Bauhaus home designed by his father. He talks to us exclusively.
As Martin Kippenberger’s first solo exhibition in a British institution comes to Tate Modern, Alison Gingeras, Roberto Ohrt, John Baldessari, Gisela Capitain, Jutta Koether, Piotr Uklanski and Urs Fischer give personal responses to his work. |
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2006 |
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The French art critic Nicholas Bourriaud examines the ways in which Pierre Huyghe mixes fact and fiction, reversing the real to upset traditional expectations of how art is perceived. His strength lies in his understanding that an image always comes with baggage. |
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Magazine |
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2006 |
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Issue 8 of Tate Etc features 'The Real St Ives Story', Jan Avgikos considers the flowering ot a new reality and Michel Onfray, Jenny Uglow, Chuck Close, George Carey amd Derek Wilson cast and eye back to Holbein. |
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Magazine |
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2007 |
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Gilbert & George have made some iconic images of themselves, and of an alternative English sensibility. Wolf Jahn interviews them.
In the 60s and 70s artists changed how they looked at symmetry, particularly using new media such as video, Ralph Ubl looks at the work of Dieter Roth and Joan Jonas to investigate
In 2004 Mark Wallinger stayed in Berlin’s Nueue Nationalgalerie for nine nights in a bear suit, and viewers such as Christy Lange peered at him alone in the museum. Christy reflects |