| |
|
title |
|
type |
|
date |
|
short description |
 |
|
|
|
Magazine |
|
2007 |
|
Beate Sontgen returns to examine the interior in art, writers discuss Salvador Dali's collaborations and Gilda Williams considers Andy Warhol. |
 |
|
|
|
Magazine |
|
2007 |
|
Tate Modern presents the first major survey of the work of Louise Bourgeois since 1995. Elaine Showalter explores her life and work from early childhood. |
 |
|
|
|
Magazine |
|
2008 |
|
Lyle Rexer explores Peter Doig's alternative world, Bernard Marcade gets closer to the unholy trinity of Man Ray, Duchamp and Picabia and writers reflect on the life and work of Niki de Saint Phalle. |
 |
|
|
|
Magazine |
|
2008 |
|
To coincide with Tate Liverpool's exhibition 'Gustav Klimt: Painting, Design and Modern Life in Vienna 1900,' we bring together a cultural historian and a Klimt specialist to debate how the man who remains one of the world's most popular modern artists took voyeurism to new heights. |
 |
|
|
|
Magazine |
|
2008 |
|
Published three times a year, TATE ETC. includes in-depth articles by internationally acclaimed writers and artists and, like Tate, works as a place for thinking about and experiencing art. It has a strong conversational element in the form of interviews and discussions, and gives a voice to artists. Within these features, we blend the historic, the modern and the contemporary to show that art does not exist in a vacuum, but is rooted in many traditions. |
 |
|
|
|
Magazine |
|
2009 |
|
Published three times a year, TATE ETC. includes in-depth articles by internationally acclaimed writers and artists and, like Tate, works as a place for thinking about and experiencing art. It has a strong conversational element in the form of interviews and discussions, and gives a voice to artists. Within these features, we blend the historic, the modern and the contemporary to show that art does not exist in a vacuum, but is rooted in many traditions. |
 |
|
|
|
Magazine |
|
2004 |
|
In the second issue of Tate Etc Rem Koolhaas talks to Lynne Cooke, Gilda Williams explores altered states of seeing and Arthur Smith hangs around at Michael Landy's Semi-detached. |
 |
|
|
|
Magazine |
|
2005 |
|
Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known for taking sculpture off the plinth, likes the idea that the art form “has another sort of life... that’s a bit closer to architecture”. On the eve of his retrospective at Tate Britain – its largest sculpture show to date – he shares some common ground with “gherkin” architect Norman Foster |
 |
|
|
|
Magazine |
|
2005 |
|
Christopher Turner investigates the powers of colours, Germaine Greer presents the Patron Saint of Lipstick and we are in the studio with Jeff Wall. |
 |
|
|
|
Magazine |
|
2005 |
|
What is there in absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart.’ The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.
The body matters, more than at any other time in history. Where should a history of the body in art begin, asks Nicholas Blincoe.
Sarah Lucas explores sexual attitudes using hosiery, fried eggs, chicken and pork. A C Grayling looks at the meaning behind the touring |